
Finally, I’ve seen the entirety of The Love of Siam. It took me days to prepare software needed in order to download the movie and subtitles. Watching the segments at first made a deep impression in me, but watching the movie as a whole left an indelible mark that I’ll look upon as long as I live.
I’m picky on movies. Everyone close to me knows that. I only watch a movie that suits my complicated tastes. I want a movie to have a deep substance, must reflect the very reality we’re living in, and a frank but sympathetic portrayal. That is why I only watch an average of only three movies a year. If watching a movie is rare for me, then writing a review is much rarer. In high school and elementary, I was forced to write movie reviews on movies that I was obliged to watch and really didn’t like that much. But after watching TLOS for the first time, I know that I would die if I won’t write a review. Just like Mew, words came naturally into my fingers and I kept on typing until I made my first movie review on my own will. I like to say so many things about TLOS only if space constraints didn’t existed. I might bore the readers if I had my first review too long and too wordy. And thankfully, I now have the time to write a second review. A bit surprising, but here I am voicing out my opinions on TLOS for the second time.
My first attempt to watch the whole movie was to download a torrent file of the Director’s Cut with hard encoded English subtitles. It was 1GB in size and unfortunately it would take me another millennium to finish its download. But I still searched for means to watch it. Like a blessing sent from heaven, a popular Asian streaming site has the standard theatrical version. It uses soft subtitles so I uploaded subtitles first then watched the movie from start to end.
I didn’t notice that more than two hours had passed. Every scene and line stuck in my memory and felt the intensity of the story. Those made me want to obtain my own copy of the movie. The next day, I went to Clip Nabber and downloaded the entire movie. Feeling kinda guilty? Yeah, a bit but that's the only way I can watch the movie. The FLV files were then converted to AVI. Unfortunately, I couldn’t use the subtitles on Windows Media Player. I watched it all over again but even without the subtitles, the movie’s true intention and power proved to be so powerful.
The struggle on learning the true meaning of love and friendship is a long road and lessons are learned the hard way. The line between what is considered to be friendship and romantic love is sometimes really confusing given that someone has harbored deep feelings for a fellow. Mew and Tong only have one another to share their burdens and ease their pains. Being together was therapeutic for them, like a medicine that cures loneliness and emotional scars. But the resulting feelings got them tangled and they hit a snag as they were going their way. Having a complicated love angle is like a prank joke gone wrong. You can’t sleep at night. You can’t concentrate on what you do. It’s just natural to have some episodes like that when you’re a teenager. But having feelings for someone in the same sex? Now that’s really something.
Mew mirrors the teenagers who are deprived of their much needed love and affection from the people around them. The death of his grandmother, Tong’s departure, plus the absence of his parents who are working in Rayong is a sure fire formula for the loneliness and deprivation that he felt. He has lived alone in his grandma’s home since his grandma died. His neighbor Ying isn’t of much help to ease his pain.
Tong mirrors the teenagers who are living in their metaphoric ramshackle homes. Broken families who were shattered by failed marriages, harrowing experiences, and dysfunctionality. Going home for him is like setting foot in a sinkhole. All the problems that plague his family hung in their home’s heavy emotional atmosphere. A drunkard father who accuses himself as the cause of Tang’s disappearance, a mother who transformed into a woman Hitler as she tries to grasp control of everything in the family, and a never ending feeling of guilt and despair for Tang’s disappearance.
Together, Mew and Tong rolled with the punches of life. The togetherness for them provided a sanctuary from the sick realities of their emotional scars. A sanctuary in which they can breathe their sigh of despair, ease each other’s burdens, cry on their shoulders, and chase all the ghosts that haunt them. The same feeling of togetherness became a breeding ground for their feelings. Confusion ensued as to what kind of relationship do they really have. Neither Mew nor Tong ever thought that things would go so complicated. They can’t bear to comprehend and understand what is really going on between them. They searched the answers for all the questions and worries that taunt them, and they learned the lessons the hard way. No one anticipated how sad the answers can be.
Donut mirrors the contemporary teenagers. She has the mind of a robot, which made her numb to feelings. She is the same as the large number of cosmopolitan teenage girls nowadays, who are the several Donuts that we see everywhere. They would just like to flaunt their beauty, their fashion, and their material possessions, unmindful of their own and other’s feelings.
Ying mirrors the martyrs who rather have their loves be happy with others. She could’ve told Mew that she loves him when Mew accidentally uncovered Ying’s secret unrequited crush at him. She overheard the confrontation between Sunee and Mew and that’s how she knew that Mew is in love with Tong. Ying still hoped until the end that Mew would change and that he will finally love her. But she has to stop hoping and accept the truth the boys really love each other.
The true spirit of friendship also manifested in the movie. Mew and Non are very close friends since they are bandmates. On their PE class, they were partnered to demonstrate a first aid technique. Non drew from the box and picked up CPR. He played a joke on Mew when he suddenly spat out and asked Mew why he put his tongue in Non’s mouth. Of course, that was a joke. But being teased as a sissy is Mew’s weak spot. Mew snubbed Non but it was actually nothing for him. They were fighting over a silly thing and that Mew shouldn’t make any issue about that. When Mew didn’t show up for their band’s audition, Non misinterpreted it and thought that he was the reason why Mew is angry. Their relationship cooled and Mew was removed from the band. June handed Non Mew’s papers and she told Non to talk to Mew nicely. Non showed up at Mew’s place and asked for forgiveness if he is the reason why Mew is angry. Mew eventually told him that he’s not angry at anyone; it’s just that he isn’t in the mood to sing the songs anymore. Nonetheless, Non assured Mew that he’s there to take care of him when he needs him. If there is a character in TLOS that I can very much relate to, it would be Non.
Love cannot solve everything, unless we learn to accept things as they are. For Sunee, she realized that being in too much control of everything to take care of her family isn’t the right thing to do. Through June, she and her family have learned to accept the fact that there are just the three of them. Tang will never come back. They won’t need June anymore. But if they learned to stand on each other, their family will be happy and will be able to overcome any obstacle towards their emotional healing. And for Mew and Tong, they realized that they can’t be more than what they used to be. If the love that they feel for each other is really the love that they want or just a confused state of mind, only they can answer.
The scenes flowed naturally. What dull camera angles and lighting are others talking about? The director made a very good job in portraying the movie as natural as possible, as if someone would see it unfold with his own eyes. No excessive lighting, no exaggerated sound effects, no overhyped shots. A breakthrough story, a magnificent screenplay, and high caliber people; TLOS really deserves every award it reaps, especially the Best Picture awards. Originally targeted to the teenage market, the general public has learned to appreciate this masterpiece which I think every Thai should be proud of.
Despite some circles that labeled the film as a “gay movie”, I’m so glad that many intelligent film critics have expressed their opinions about TLOS in a much objective tone away from the hype that some circles had created. In fact, I feel sorry for those who stirred up the controversial element and made it a sensational item. Focusing only on the complicated love angle between the boys is foolish enough for a viewer to label a very meaningful and well-crafted film as a queer thing. Doing so clearly undermines the real meaning and power of the movie. Even the Bangkok Post reviews didn’t mention the word ‘gay’ even once. They missed so many good things because they thought that the movie only revolved in that hair-raising, roller coaster love affair. Homophobia is not the issue here, but on how some moviegoers impertinently and irresponsibly interpret the movie. It just proves how cynical people can be when it comes to discussing such complicated matters. I just hope and pray that it won’t stray and land into queer film festivals. I’m very sure not even its director, Chukiat Sakveerakul, would allow it to happen.
TLOS has left me a deep, indelible mark that I will always look into for the rest of my life. It changed so much in me. I learned so many indispensable lessons that I will, and must share with everyone.
I’ve never encountered such a life-changing movie, and perhaps never will again.
(Written by JM Reyes, Manila)







